Oh, you're an actor? Yeah, we don't hire actors

February 24, 2009

Categories: Adventures in Acting

Bookmark and Share

If you're an actor, I think it's in your best interest to know this, especially if you're about to leave your hometown to take a shot at the big time. Let's say you live in Michigan... never mind, let's just say you live anywhere else in the country, anywhere but New York and Los Angeles, and you're an actor who's going out into the city or the ‘burbs, or what-have-you, and you're looking for any type of work. You know, the everyday type of job: waiter, bartender, gas station attendant, Don of the Mob, etc. When you mention that you're an actor, it usually illicits the most surprised of responses, like "Wow, we have a star in the making here," or it may even garner the old "let me tell you my story" kind of dialogue with whoever's doing the hiring... and that's nice. Yeah, it's nice and everything that you have the same chances as anyone else of getting that position, and you may very well get hired... God bless America, right? But were you to mention that in NY or L.A., all you'll be getting out of that interaction is a "thank you but we're not hiring right now" as they flip the Now Hiring sign over.

No self-respecting business of any caliber - whether it's a Mom ‘N Pop shop or a corporate chain - will ever in their right mind even think of hiring an actor to be responsible for the mundane shifts it takes to run any sort of operation in a business. I'm writing to you all now out of pure experience. I tried it; doesn't work. So I lie now. But never lie and say you're a student, because you'll get the same reply. No kiddies, now I say I'm new in town and just looking for work, claiming that my family moved me out here and that I'm available for all shifts. Even then I feel I'm just not cut out for the humdrum positions of the regular world. But wait! Now I'm out of work while I go out auditioning and networking nearly every day. All the money is going out and none of that new green out there is coming in. And that, ladies and gentle-germs, is the conundrum: How to keep making steady money while waiting for the "big one" without losing the flexibility to go out for that possible "big one."

In times like these, after our country was hoodwinked by Wall Street white-collar thugs and fleeced by the Bush/Cheney Mafia for 8 entire years, an actor must remain resourceful and open to all types of employment. Except those types of jobs that tie you down to a desk and make you... No, I mean the type of job where there's a set weekly 9-5 schedule. When you're an actor, all you really want to do is read, learn, experiment and play, either on a stage or in front of a camera, or at the very least at a boring house party where you are the only gleaming sensation of life in it. It's hard to keep an open schedule for castings when you have to worry about keeping a roof over your head and tossing three square meals down your gullet.

Most managers and agents don't care how you make your money to travel to auditions, to have your new headshots taken, how you manage to keep such a diverse wardrobe, or even how you feed yourself and work out to keep your girlish figure. All they care about is you being ready to take on the world once you walk into a casting session and nailing it so everyone involved can walk away happy and paid. Don't ever tell them that you can't make an audition because of a commonplace job, because in all likelihood they may never call you back, and in all probability if they do and that repeats itself you may even be dropped from their roster. When you have a regular job and you've been scheduled for a shot at a feature film or huge national commercial, you'd best have a great relationship with the boss of that job or be ready and willing to walk out on it because casting directors don't care about any of that. They just need to find the right actor at the right time, and if you're ready to show, you'd better show and put on the show of your life. With all that said: Don't say I didn't warn ya.

Comments

Related Posts

7 Notes from some Actor: Note Four

August 10, 2009

The fourth installation of 7 Notes from Some Actor… Acting Pre-101, if you’ve n...

7 Notes from some Actor: Note Three

July 22, 2009

The third installation of 7 Notes from Some Actor… Acting Pre-101, if you’ve ne...

7 Notes from some Actor: Note Two

June 23, 2009

The second installation of 7 Notes from Some Actor… Acting Pre-101, if you’ve n...

7 Notes from some Actor: Note One

June 05, 2009

Acting Pre-101, if you've never taken it… it's because they don't teach It anyw...

F.Y. Uninformed Actor

February 26, 2009

When going to auditions, you must remember to bring...

New Posts

A Bit Later In Our Careers...

November 09, 2009

What's going on in the indie horror thriller arena...

Frosted Yellow Willoes - The Life And Times Of Anna May Wong

October 28, 2009

The Life And Times Of Anna May Wong

"The Scent Of Oak" Spearheads 1st Travelling Caribbean Showcase At Unesco

October 26, 2009

" The Scent Of Oak ". Roble de Olor directed by the Itinerant Festival Presiden...

Transformation, A New Film Dedicated To The Great Armenian Poet Yeghishe Charents

October 26, 2009

Film Transformation, dedicated to the great armenian poet Yeghishe Charents.

The House Of Yeghishe Charents, (1897 - 1937) One Of The Greatest Armenian Poets In Kars.

October 26, 2009

Yeghishe Charents (1897 - 1937) one of the greatest Armenian poets.

Blogs
MiamiMovieCritic

Up with Film People

By: MiamiMovieCritic

Thoughts about modern film from our resident critic.

enrihrts

Enrique's Blog

By: enrihrts

Enrique turns a critical eye to web video trends.

Junior

Junior's Cineblog

By: Junior

What's hot in the world of Latin cinema.

GDV

Focus on...

By: GDV

Openfilm DP's views and advice about cinematography.

The Rambling Actor's Blog

By: RIOdeMiami

Chronicles of a struggling actor.

Helen's Blog

By: HelensBlog

Promotion of arts and culture in all forms from emerging countries.

Steve Piper's Blog

By: coffeeshorts

The articles on independent film making, film festivals and journalism.