We've all heard our female friends and family members say that famous saying: "A good man is hard to find!" Well how about this take on that saying: "A good Spanish movie is hard to find!!!" Well my dear Cinebloggers, I got news for you: In the process of finding A Good Movie, we found A Good Man (Un Buen Hombre)!

The Hottest Latin Film School: International School of Film and Television San Antonio de los Baños- CUBA

As a filmmaker, deciding what film school to go to is quite a difficult task. You want to pick the best place possible to prepare you for your career, and then several other things go into play, like your budget and your family situation. When I was in the process of choosing an undergrad film school, it all came down to four schools for me: USC, NYU, U of Miami and EICTV. USC was crossed out because California seemed too far from my family in NY and South America. NYU I excluded because I wanted to try living in a new place from where I had grown up, so my last two choices were

University of Miami and EICTV in Cuba.

No, silly, not Pedro Almodóvar. Even though my last two Blogs were about master filmmaker Pedro Almodóvar, this CineBlog is about a completely different Pedro. MTV's Pedro Zamorra.

Last night I attended a screening of PEDRO at the Colony Theater in South Beach. This film opened the line-up for the 2009 Miami Gay and Lesbian Film Festival to a sold-out crowd and a standing ovation. PEDRO is the life story of the young AIDS activist Pedro Zamorra, Miami's own Cuban American, who was part of the cast of MTV's The Real World: San Francisco, and died at the age of 22, soon after the show finished airing its last episode in 1994.

I want to elaborate on a subject I touched on in my last blog, about when I met Pedro Almodóvar the week before he won an Academy Award for All about My Mother.

My friend John is an executive at United Artists (who distributed the film for the U.S.), and he is also a close friend of Pedro. John mentioned to me that UA had arranged for him to stay with his buddy Pedro at a high rollers suite @ the MGM Grand in Las Vegas; this is so Pedro could chill at and be pampered and de-stressed before he was named the winner of his first shiny golden Oscar. Well, guess who my friend John invited to go? ME!!!

I'm writing this Cineblog about the new film by one of my all-time favorite directors, Pedro Almodóvar, whom I had the honor of meeting the week before he won an Academy Award for All about My Mother back in 2000.

Los Abrazos Rotos, or Broken Embraces, is the name of his new film. It premieres on March 18, and there is already buzz that it will play at Cannes. The teaser is very short, but leaves no doubt that this is a film by the one and only Almodóvar.

Hello from afar, my fellow bloggers. I write my final Oscar-themed blog of 2008 from the capital of the best coffee in the world, Quindío, Colombia. On my week away from the Openfilm headquarters (located in an undisclosed Cyberfilm Paradise), I had two major topics running through my head. #1: Coffee, and #2: the 81st annual Academy Awards. As a Colombian filmmaker, I was in heaven this week. First of all, because I came to this beautiful country to shoot a video of the entire coffee cultivating-to-packaging process, from growing the coffee beans on the lavish Colombian fields 1400 feet above sea level in the beautiful lands just above the vast Amazon, and finally to the final smile of happiness of the java junkies sipping some of the best coffee in the world.

Latinos in the 2009 Award Season

The only quasi Latino thing to celebrate on the Oscar nomination list is Penelope Cruz's performance as best supporting actress in Woody Allen's Vicky Cristina Barcelona, as you can read about in my previous blog, "Will Penelope Be Wearing Gold?" But even though Cruz is the only Hispanic name on the list, we come to consider if the Academy is being a bit racist in not nominating any more Latino talent in the recent year's Latin cinema. Is it because there is no other Latin talent out there? Nope, because talent there sure is! The Sundance Awards were recently announced, giving six Awards to Latino filmmakers and Latino films! How come none of these were recognized by the Academy?

Oscar Gold that is....! This is the first time that Penelope appears to be one of the favorite contenders for the best supporting actress Oscar in an English-language film.

El Patio de mi Carcel - My Prison Yard This film is somewhat indifferent. The storyline is not very deep, but the performances are quite good. Veronica Echegui's performance is the only thing that saved this movie, perhaps the best role of her career that gives her a more promising future.

The plot: A petty thief and her pals attempt to adapt to life outside jail. But there is not much more depth to the overall story. Perhaps first-time director Belén Macías will get it right in her upcoming films.

It really has been a complicated and difficult year for Spanish film, without any blockbuster success in the billboards, different than in 2007 when The Orphanage or [REC] made box office smash numbers very close to Hollywood super productions.

A list of Spanish movies were added in the first quarter of 2008, international productions like Asterix at the Olympic Games and The Oxford Crimes that made some waves and increased the number of spectators attending premieres.

Following this wake some co-produced films were added as national films like Vicky Cristina Barcelona, Che, the Argentine, Transsiberian or El Greco, but their box office figures turned out to be really regrettable. These are not 100% Spanish produced, so they don't really count as exclusively Spanish films in my Opinion. Anyway, as 2008 is just past us, I made a couple of lists of 5- 100% Spanish films that, in my opinion, represent the best and the worst films of 2008. In this Cineblog you will read the Best and in the next Cineblog I will bring you the Worst.