by HelensBlog
Promotion of arts and culture in all forms from emerging countries."Brazilian doc Children Of The Amazon" Intrigues Viewers at Jules Verne Adventure Film Festival in Paris
Categories: Film Festivals Best Films Latin Cinema
Children of the Amazon follows Brazilian filmmaker Denise Zmekhol as she travels a modern highway deep into the Amazon in search of the Indigenous Surui and Negarote children she photographed fifteen years ago. Part road movie, part time travel, her jour- ney tells the story of what happened to life in the largest forest on Earth when a road was built straight through its heart.
For countless generations, the Amazon rainforest provided a home to the Surui and Negarote people who lived in what they called "forest time"— utterly beyond the realm of contemporary hu- man life. Their only contact with the "outside" world was through rubber tappers, who first settled the forest in the 19th century and whose work did no harm to the trees.
And then . . . everything changed. Footpaths gave way to a road and then a highway cut- ting through 2000 miles of forest. With the coming of this connection to the rest of Brazil, the world of "forest time" was overrun by farmers, loggers, and cattle ranchers. Lush forest was clear-cut and burned, deadly diseases killed off thousands of Indians, and "forest time" suffered an irreversible transformation.
Zmekhol's cinematic journey combines intimate interviews with her personal and poetic medi- tation on environmental devastation, resistance and renewal. The result is a unique vision of the Amazon rainforest told in part by the Indigenous people who experienced first contact with the modern world less than forty years ago. The film's central characters are the now grown children Zmekhol photographed more than fifteen years earlier; Itabira and Almir, Surui navigating a risky course between cultural preservation and economic survival; and Chico Mendes, the legendary rubber tapper who organized a non-violent movement to save the forest and was assassinated by cattle ranchers.
As she nears the end of her journey, Zmekhol discovers how the combined efforts of In- digenous people, rubber tappers, and their allies have begun to safeguard the rainforest. Ultimately we grasp our own intimate connection to this remote forest and its people: We are—all of us— Children of the Amazon—breathing the same air, walking the same planet, and in some sense that we have yet to understand, sharing the same fate.
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By: coffeeshorts
The articles on independent film making, film festivals and journalism.
Selections from www.joelnevilleanderson.net: Production journal and outlet for sporadic writing on culture and this so called seventh art, by Joel Neville Anderson.
