UKULELESCOPE Film accompagnati dal vivo da / Films accompanied live by The Ukulele Orchestra of Great Britain (Dave Suich, Richie Williams, Hester Goodman, George Hinchcliffe, Kitty Lux, Will Grove White, Jonty Bankes) Ideazione e produzione / Created and produced by: Hester Goodman Musica di / Original music: Hester Goodman, George Hinchcliffe

The Ukulele Orchestra of Great Britain is a group of all-singing, all-strumming Ukulele players, using instruments bought with loose change, which believes that all genres of music are available for reinterpretation, as long as they are played on the Ukulele.

Abel Gance's J'Accuse (1919), a politically an d stylistically daring anti-war drama produced while the trench warfare of World War I was still grinding up soldiers on both sides of the battle, opens with the title spelled out by the bodies of soldiers striding into formation, like a marching band at a half-time show. Then they collapse, as if dead, to startling effect. Appropriating the cry leveled by Emile Zola during the Dreyfus affair, Gance levels his accusations at war itself.

The Merry Widow (Metro-Goldwyn-Mayer, US 1925)is the opening night film at the 2009 Giornate de Cinema Muto 200,

The Music
When I first accompanied The Merry Widow years ago, I was totally struck by this highly creative and inventive film adaptation of the operetta, directed by the genius Erich von Stroheim. Immediately I realized that my "one" piano + singer accompaniment wasn't at all enough to serve this brilliant film. I started a serious quest to develop a score for the film, and at the same time to promote this relatively unknown von Stroheim film wherever I possibly could.

I made it! We’ve all heard that typically American colloquialism. I know what that saying may mean to actors out there or to those of you hoping to be successful in this nearly impossible career to sustain when not “working”, but maybe you haven’t taken the first few scary steps yet. I’ll try and deflate whatever fears you may have about the outer world of the craft which is all business and not entirely “just” your business. The only business one as an actor should consider is the world we create for our portrayals. When I refer to the outer world, I mean the world the character will live in during our portrayal. Whether in a theatre or in front of the camera, you and your character must become one being, in order to know the outer world of the character, the one that has nothing to do with the business you’re attempting to break into. Let’s say you haven’t even thought about auditioning or let alone gotten your head shots done and printed… what to do as an actor? Study, read, learn, research the history and find the clues that will lead you to the source of it all, the craft of the craft. Look for the masters of acting, directing, and theatre and find their works: Shakespeare, Stanislavsky, Uta Hagen, Strasberg, Meisner, Meyerhold, Grotowski, even the Knight Sir Lawrence Olivier has such books of uncanny first-hand relations of stories in the world of acting. The history of theatre and acting is abound in all its glory, from the contemporary Western world of theatre and film to the dramatic leaps and bounds of the ancient Greeks, it is all still out there. From the many histories we get the many teachers, those who pushed the envelope with new content, new directions, and new destinations for the art.

I suppose an elaboration on the topics of the last few blog entries I've written for the precious few readers I have out there is long overdue and in order. So here it is… Firstly, this blog is aptly titled as such because being a long-winded story-telling human who happens to be an actor, I naturally ramble on just enough of things I've studied, learned, and/or have experienced personally.

The Million Yen Girl shown at Udine Far East Festival involves a 21 year old student who heads for the road after experiencing disappointment with her family and disillusionment with the difficulty of earning a living in Tokyo. Wanting to become independent, she co-rents an apartment with a total stranger who throws out a kitten she adopted, after which she tosses all his owning out the window and gets the book for alienation of private property. After a short term in jail, her welcome home is cold and she can count on no support from her family or friends, neither moral nor financial.

Yatterman(Yattaman) from the celebrated cartoon, comes the live action film, of the greatest pop-robot adventure in the world!

…a film already destined to become a cult…

The European Premiere of the highly anticipated blockbuster, directed by the legendary Miike Takashi, will close the eleventh edition of Far East Film.

We've all heard our female friends and family members say that famous saying: "A good man is hard to find!" Well how about this take on that saying: "A good Spanish movie is hard to find!!!" Well my dear Cinebloggers, I got news for you: In the process of finding A Good Movie, we found A Good Man (Un Buen Hombre)!

The Hottest Latin Film School: International School of Film and Television San Antonio de los Baños- CUBA

As a filmmaker, deciding what film school to go to is quite a difficult task. You want to pick the best place possible to prepare you for your career, and then several other things go into play, like your budget and your family situation. When I was in the process of choosing an undergrad film school, it all came down to four schools for me: USC, NYU, U of Miami and EICTV. USC was crossed out because California seemed too far from my family in NY and South America. NYU I excluded because I wanted to try living in a new place from where I had grown up, so my last two choices were

University of Miami and EICTV in Cuba.

Festival de cinema do Brasil in Paris.

The first week of this 9th two-prong event (feature competition and then documentaries) has ended at the L'Arlequin Cinema in Paris 'trendy Quartier Latin with the presence of top-knotch Brazilian filmmakers, actors and producers, flown over for the event to present each of the two dozen films in competition.

Big names of Brazil's 'cinema novo' period such as Miguel Farias, Carlos (Caca) Diegues, Sergio Rezende, Joao Batista de Andrade boasted a vigorous older-generation slate of works to compete with talented newercomers like Tata Amoral, the only female feature director, Heitor Dhalia, Karim Ainouz and Cao Hamburger.

I want to elaborate on a subject I touched on in my last blog, about when I met Pedro Almodóvar the week before he won an Academy Award for All about My Mother.

My friend John is an executive at United Artists (who distributed the film for the U.S.), and he is also a close friend of Pedro. John mentioned to me that UA had arranged for him to stay with his buddy Pedro at a high rollers suite @ the MGM Grand in Las Vegas; this is so Pedro could chill at and be pampered and de-stressed before he was named the winner of his first shiny golden Oscar. Well, guess who my friend John invited to go? ME!!!

We're only in the third month of the year, and already we've seen high-profile remakes of three different horror movies: My Bloody Valentine, Friday the 13^th and, most recently, The Last House on the Left. What's surprising about these movies isn't the fact that they're all remakes. Nothing is sacred in Hollywood, not even The Host and Oldboy - easily two of the best films of the decade, both slated to be streamlined and repackaged thanks to Tinseltown's recycling plant. No, what's surprising is that exploitation movies have entered the mainstream at all.

Alright, so you're a decently trained and young inexperienced actor and you finally got headshots you can live with. Then you got some more done. Now you got an entire book filled with a face only a mother could love and you even went so far as to land a reputable SAG licensed agent who also has the same taste as your mother. You are ready to be sold on the open market, but your agent hasn't had the time to give you the entire run-down. Well here it is. Most people in the biz will tell you never to listen to other actors... this is true, but there are some things that are a part of the starter set you should know. Before you start going out on the castings you've been so fortunate enough to be called on (thanks to those wonderful pictures), there are some necessary things you must have in your bag and in your car (or whatever transport you got) at ALL times. In your bag, you should have:

8:40

The show is off to a great start. Hugh Jackman sure is a versatile guy - not only can he grow knives out of his knuckles, but he can sing and dance with the best of ‘em.

8:47

Penelope Cruz wins Best Supporting Actress - hooray! She created the most hilarious portrait of an artist in Woody Allen's Vicky Cristina Barcelona, which proved once and for all that Scarlett Johansson couldn't act her way out of a paper bag.

The 81st Annual Academy Awards are two days away. Going in, I'm fairly ambivalent about the outcome. Unlike last year, when There Will Be Blood and No Country for Old Men duked it out for the top prize, there are no masterpieces. I deeply admired Darren Aronofsky's The Wrestler, Danny Boyle's Slumdog Millionaire, Christopher Nolan's The Dark Knight, Andrew Stanton's WALL-E and Gus Van Sant's Milk. These would have been my nominees for Best Director and Best Picture, but many of them got gypped.

Still, I'll definitely be tuning in. I've watched every awards show since 1990, when I was 9 going on 10. All 9-year-olds who watch the Oscars naturally assume they'll be making it to the podium someday. I'm sure if I looked hard enough I'd find a few acceptance speeches, written in chicken-scratch and tucked away for safekeeping. I'm more cynical and realistic about all that now - instead of 30, now I'm giving myself until 40 to win an Oscar. Now and then I'm forced to look away to avoid being blinded by all the Great and Important People basking in their own sense of self-worth. But mostly the Oscars give me a giddy feeling in the pit of my stomach.

Latinos in the 2009 Award Season

The only quasi Latino thing to celebrate on the Oscar nomination list is Penelope Cruz's performance as best supporting actress in Woody Allen's Vicky Cristina Barcelona, as you can read about in my previous blog, "Will Penelope Be Wearing Gold?" But even though Cruz is the only Hispanic name on the list, we come to consider if the Academy is being a bit racist in not nominating any more Latino talent in the recent year's Latin cinema. Is it because there is no other Latin talent out there? Nope, because talent there sure is! The Sundance Awards were recently announced, giving six Awards to Latino filmmakers and Latino films! How come none of these were recognized by the Academy?

When you look at this year's Academy Award nominees for Best Actress, one thing that sticks out is the number of nude scenes the actresses have appeared in. Anne Hathaway (Rachel Getting Married), Angelina Jolie (Changeling), Kate Winslet (The Reader) - these are beautiful and mega-talented young women who have never shied away from on-camera nudity. Their nominations got me thinking about the nature of female sexuality in films.

Oscar Gold that is....! This is the first time that Penelope appears to be one of the favorite contenders for the best supporting actress Oscar in an English-language film.

After Dark Horrorfest sounded like a good idea - take eight independent horror films that deserve to be seen and given them theatrical distribution. Launched in 2006 by the Canadian filmmaker Courtney Solomon (An American Haunting), the annual event has unfortunately devolved into a weeklong shitfest. Every year I go, hoping the festival will build on the promise of its initial run, which showcased some solid fright flicks like The Abandoned and Wicked Little Things. And every year I go home sorely disappointed.

El Patio de mi Carcel - My Prison Yard This film is somewhat indifferent. The storyline is not very deep, but the performances are quite good. Veronica Echegui's performance is the only thing that saved this movie, perhaps the best role of her career that gives her a more promising future.

The plot: A petty thief and her pals attempt to adapt to life outside jail. But there is not much more depth to the overall story. Perhaps first-time director Belén Macías will get it right in her upcoming films.

It really has been a complicated and difficult year for Spanish film, without any blockbuster success in the billboards, different than in 2007 when The Orphanage or [REC] made box office smash numbers very close to Hollywood super productions.

A list of Spanish movies were added in the first quarter of 2008, international productions like Asterix at the Olympic Games and The Oxford Crimes that made some waves and increased the number of spectators attending premieres.

Following this wake some co-produced films were added as national films like Vicky Cristina Barcelona, Che, the Argentine, Transsiberian or El Greco, but their box office figures turned out to be really regrettable. These are not 100% Spanish produced, so they don't really count as exclusively Spanish films in my Opinion. Anyway, as 2008 is just past us, I made a couple of lists of 5- 100% Spanish films that, in my opinion, represent the best and the worst films of 2008. In this Cineblog you will read the Best and in the next Cineblog I will bring you the Worst.

In the beginning there was the word, and the word was made flesh. In the middle there was this person named an agent and/or a manager... and they told you what the word was and how it was being used or who was using them, and how you should use these words... and then in the end, the Hollywood Films Casting machine was made whole. So I arrived in Los Angeles with an awesome, almost too-good-to-be-true sounding but entirely legitimate program called The Pinnacle Actor's Group, headed by a wise old man by the name of Lawrence Folgo, who brought 45 years of experience and connections to the program. The program is great in that it offers the determined actor to arrive in Tinsel town with all the opportunities to hit the ground running. It lasted an entire month, and in that month we rehearsed previously found scenes, found new ones, and trained and perfected our craft for the potential agents, managers, and casting directors who came to see our three showcases.

Is there anything worse than a movie that's been made for only one purpose: to win Oscars?

I'm talking, of course, about Ron Howard's Frost/Nixon and David Fincher's The Curious Case of Benjamin Button. Here are two handsomely mounted productions that take no risks, offer no insights, and are just polite enough to win the Academy's favor. That's not to say these movies are bad, but they ARE boring. Don't let anyone tell you any different.

After many years spent in my bed dreaming as a child, the only walk in life that could suffer me was the entertainment business. I studied, worked, ate, drank, and slept theatre, photography, art, and film all the live long day while growing up and now that I'm in it... I'm not content... I'm not fully satisfied with my work up until now, which reminds me of a famous quote I was given once by a dear professor of mine in college. It comes from a letter written by Martha Graham to Agnes De Mille:

"There is a vitality, a life force, a quickening that is translated through you into action, and because there is only one of you in all Time, this expression is unique. And if you block it, it will never exist through any other medium and be lost. The world will not have it. It is not your business to determine: how good it is; nor how valuable it is; nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open ... no artist is pleased...there is no satisfaction whatever at any time. There is only a queer, divine dissatisfaction; a blessed unrest that keeps us marching and makes us more alive than the others."

Why did I want to become a filmmaker in the first place? These days I can barely remember, and that makes me kind of sad. When I graduated from film school, I had a director's demo reel ready to go and all the confidence in the world that it was good enough to get me that first directing gig. I must have sent my reel to almost 200 companies, but all anyone ever needed was a PA for a day or two. Money started getting tight and before I knew it, my focus turned from creating to surviving. Fast forward seven years and a bunch of reality TV sets later and here I sit asking myself what happened to all my so-called dreams. Or, more to the point, what happened to my dreams coming true?

When it comes time to hand out the best-of-the-year awards, movies released in December get all the love. This is partly due to the fact that studios have been saving some of their best products for the holiday season, but sometimes it seems like movie critics and members of the Academy Awards of Arts and Sciences suffer from memory loss. So I thought it might be fun to see what the first 11 months of the year had to offer and make a best-of-the-year list from that. Keep in mind that I still haven’t seen some of the most anticipated films of the season, including The Curious Case of Benjamin Button, Frost/Nixon and Milk. I’ll write about those movies in future blogs. For now, here’s my nowhere-near definitive look at the best movies of 2008, listed in order of preference:

We all know filmmaking is a team effort. Nowadays almost everybody's seen the DVD features and the behind-the-scenes of their favorite movies and perhaps been overwhelmed by the number of people who are involved in the filmmaking process. Camera teams, lighting teams, post-production teams, stunt teams, wardrobe teams, animal wranglers and so on, we are all aware of the seemingly infinite amount of names and titles that keep scrolling up during the credits. Unfortunately, most people choose this time to stop sucking on those unpopped-popcorn seeds and start walking out of the theater (or turn the TV off, if you were already home), even though it's probably the only real public moment of acknowledgement that the "rigging gaffer" or the "second-second-second-assistant director" will get!

The Japanese are building robots, holograms are appearing on the cable news, and Barack Obama is going to be the forty-forth President of the United States. Are we living in the future? Dunno, but what I do know is that pop culture has helped pave the way for the election of America's first Black president.

Two of the more interesting documentaries on Openfilm, Toward 2012 and Consciousness is the Key, can be viewed on Joao's channel. They're the first in a planned series of animated shorts that, according to the website postmoderntimes.com, present "new ideas about global consciousness and techniques for social and ecological transformation." Consider this blog a kind of CliffsNotes for the videos, which explore serious ideas that deserve to be expounded upon.

Searching the Internet on a daily basis for high quality short films & videos can be an arduous & strange task at times. Let’s face it: there’s a lot of crap out there. On average, you have to watch about 50 bad videos in order to find just one good one. From tutorials on how to make a peanut butter & jelly sandwich to a man giving his dog a haircut, there are no shortages of completely pointless, unwatchable videos populating the Internet today.

For a lot of people, filming movies and shorts is something they do as a hobby on their time off from "real" work, whenever they can gather enough friends to donate time and efforts into working as crew or actors. But those who have chosen to expand that passion and take on film and video production as a career might find it hard to figure out where to start. There are many paths one can take to making filmmaking an actual paying career. One isn't more adequate than the other. It all depends on what speaks to you the most.

Not too long ago, politicians were still allowed to have a dark side. In those days, secret trips to the all-nude revue full-friction gentleman's club and the occasional midnight cockfight were just another Friday night for some elected officials. As long as whatever depravity or off-color behavior was not covered by the mainstream media, everything would be cool. People weren't afraid of being caught on a camera phone enjoying a Tijuana donkey sex show, as many of us have.

Welcome one, and Bienvenidos Todos(Welcome All) to the most original Spanglish Cine Blog, exclusively on Openfilm.com. This CineBlog is called "Junior's CineBlog", Junior being yours truly, Me!...... and "...CineBlog" meaning "...FilmBlog" in our neighboring tougue, and second official language of the United States, Spanglish! That is right. This unique bilingual film blog is going to bring you the latest scoops on the hottest topics in the Hispanic film industry, bringing you stories on film releases, Latin film personalities as well as film events all over the world, all with the particular thread of the Spanish/Latin/Hispanic inclination.