The Rose of Rhodesia (1918), one of the earliest feature films made in South Africa, presented at this year's Giornate del Cinema Muto is a five-reel romance cantered on a stolen diamond, an interracial friendship, and an anti-colonial uprising, The Rose of Rhodesia impressed contemporary reviewers with its daring realism, spectacular outdoor locations, and casting of African actors in prominent roles. Considered lost for most of the last century, the film may claim to be the first fictional treatment of Zimbabwe in cinema.

The film Der Golem is a classic film – doubly so.

First, it has long nestled comfortably within the list of titles that make up the German Expressionist movement of the 1920s. Teachers of survey history courses are more likely to show Das Cabinet des Dr. Caligari, but a serious enthusiast will make a point of seeing Der Golem as well.

From the start, reviewers recognized Der Golem as Expressionist. In 1921 the New York Times' critic wrote, "Resembling somewhat the curious constructions of THE CABINET OF DR. CALIGARI, the settings may be called expressionistic, but to the common man they are best described as expressive, for it is their eloquence that characterizes them." (Spellbound in Darkness, p. 362) In 1930, Paul Rotha's The Film Till Now, the most ambitious world history of cinema in English to date, appeared. Highly influential in establishing the canon of classics, Rotha adored Weimar cinema, including Der Golem.

Brought to you by the creative minds behind Pencil Fighting: The Life and Times of Team Balderdash, the 20-minute short Inventing Kin is a dramedy about missed opportunities and life's second chances. It's close in spirit to Zach Braff's Garden State, which was also about a lost soul returning home to make peace with the past. This new film lacks the broad characterizations that made Pencil Fighting so memorable, but it displays some of the quirkiness that sets the films of Fro Rojas apart. (Full disclosure: Rojas and I both went to Miami International University of Art & Design, where we made a film together.)

I started working in projection booths in 1999, the year Fight Club came out. As FC fans know, Tyler Durden (Brad Pitt) has a night job as a projectionist, which he uses as an opportunity to splice frames of pornography into Disney flicks.