Blogs

Ben Affleck, from what we've seen so far, is a good director and storyteller.

The International Press Academy has announced the winners of the 16th Annual Satellite Awards and Alexander Payne's "The Descendants" and Nicolas Winding Refn's "Drive" triumphed!

Dear Hollywood Foreign Press, There’s not a whole lot of foreign-y things going on at the nominations announced this morning. Like for example, what the heck happened to "Harry Potter?" No love for one of the greatest British series ever, not to mention one of the most beloved franchises?

George Clooney’s The Ides of March is an actors’ movie, a picture that gives performers some provocative things to do without necessarily providing a great story for them to hang onto. It’s also a movie made for grown-ups, and Lord knows there are few enough of those around today.

Driver is a Los Angeles wheelman for hire, stunt driving for movie productions by day and steering getaway vehicles for armed heists by night. Though a loner by nature, Driver can't help falling in love with his beautiful neighbor Irene

Some actors are chameleons, shifting drastically from one color to another depending on the role. Ryan Gosling may not be one of them: There will always be a little Ryan Gosling, even just a mischievous glimmer, in any character the actor plays.

Ryan Gosling is having a great year. The thinking man’s heartthrob gave a memorable performance in "Crazy, Stupid, Love" and he is set to steal the spotlight from George Clooney in the upcoming political drama "The Ides of March."

When they work, found footage films are testaments to the power of a limited perspective. Features like The Blair Witch Project, REC and Cloverfield get juice out of the fact that we’re not able to see or know more than the characters on screen.

The Change-Up is a studio hybrid both so advanced and so primitive it defies parsing. Partly derived from the old Freaky Friday switcheroo comedy, partly bent on what feels like the pre-Enlightenment theme of men fretting over whether to live selfishly or with personal and social responsibility

Crazy, Stupid, Love. is, for the most part, an effective love story, but the two figures in thrall to one another aren’t the ones you think: The magnetism between the movie’s two male stars, Steve Carell and Ryan Gosling, is what really makes the movie tick.